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In 1963 an initial attempt was made in my The Psychology of Meaningful Verbal Learning to present a cognitive theory of meaningful as opposed to rote verbal learning. It was based on the proposition that the acquisition and retention of knowl­ edge (particularly of verbal knowledge as, for example, in school, or subject-matter learning) is the product of an active, integrative, interactional process between instructional material (subject matter) and relevant ideas in the leamer's cognitive structure to which the new ideas are relatable in particular ways. This book is a full-scale revision of my 1963 monograph, The Psychology of Meaningful Verbal Learning, in the sense that it addresses the major aforementioned and hitherto unmet goals by providing for an expansion, clarification, differentiation, and sharper focusing of the principal psychological variables and processes involved in meaningful learning and retention, i.e., for their interrelationships and interactions leading to the generation of new meanings in the individual learner. The preparation of this new monograph was largely necessitated by the virtual collapse of the neobe­ havioristic theoretical orientation to learning during the previous forty years; and by the meteoric rise in the seventies and beyond of constructivist approaches to learning theory.

• Sales Rank: #10139025 in Books
• Published on: 2010-12-07
• Released on: 2010-12-07
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .53" w x 6.00" l, .72 pounds
• Binding: Paperback
• 212 pages

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1 of 2 people found the following review helpful.
Five Stars
By Kozaburo Ishikawa
An extraordinary book.

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Above an exclusive men's store on Rodeo Drive there is a private club called Butterfly, where women are free to act out their secret erotic fantasies. Only the most beautiful and powerful women in Beverly Hills are invited to join. Jessica, the lawyer, who longs for the days when men were men, and women dressed to please them. Trudie-the builder, who wants a man who will challenge her-all of her-with no holds barred. Linda-the surgeon, who uses masks to unmask the desires she hides even from herself. But the most mysterious of them all is the woman who created Butterfly. She has changed her name, her accent, even her face to hide her true identity. And now she is about to reveal everything to realize the dream that has driven her since childhood.

• Published on: 2015-05-15
• Formats: Audiobook, CD, Unabridged
• Number of items: 17
• Binding: Audio CD

Most helpful customer reviews

0 of 0 people found the following review helpful.
Couldn't put it down
By Kindle Customer
It amazed me how she weaved all of these seemingly separate people and stories into one complete web of suspense and great details with a perfect ending!!! I loved it and and ready to start the second in the set!

1 of 1 people found the following review helpful.
4 "An Empire Built to Destroy Another" for the story and 4.5 Stars for the narration!
By BJ's Reviews
The best phrase to describe this epic saga that spans decades and transcends dozens of interconnected lives is: "Hell hath no fury like a woman scorned." Lovers of deep meticulous revenge plots will love the message of this novel. Moreover, this novel will leave you with a very strong feeling of female empowerment.

As I mostly read and listen to romance titles, I do want to note that Butterfly reads more like historical fiction (taking place in the US in the 60s/70s/80s) and women's literature than romance. However, for those romantic suspense lovers who love to dig deep into plots and character evolvement, Butterfly will satisfy the most inquisitive of minds. One additional caveat is worth mentioning. Butterfly deals with some darker subjects like physical and mental abuse, adultery, and rape. Interestingly, however, this is not a story about a BDSM club--which had been my original impression going in. Instead this is a story about how and why a very exclusive, private club where women's fantasies are catered to was built and how it affected the lives of several of its patrons.

Among the exclusive clientele of the Butterfly Club are a lawyer (Jessica), a surgeon (Linda), and a luxury pool builder (Trudie). All are extremely successful women and all have very special reasons for needing a place like Butterfly where their secret desires can be catered to or where they can be free to let go of their particular inhibitions and fears in order to experience pleasure. This story will take you through each woman's successes, quandaries, and how and why they find themselves at Butterfly as well as how Butterfly ultimately changes each.

But who built Butterfly and why? And just who is instrumental in this intricate plot and why? This is a much longer story which will take you to some heart wrenching places before ultimately vindication reigns.

Rounding out this intriguing saga is the talented narration by Laura Jennings. This was my first experience with Ms. Jennings and I was impressed. Ms. Jennings creates unique voices for each one of the many characters. Not only does she create genuine sounding female and male characters, but even within a particular gender she manages to create distinguishable differences with accents and intonations. And from her Southern accent to her Mexican American one, each renders the story that Kathryn Harvey has penned that much more tangible and real.

Ms. Jennings also pays close attention to the timing of her delivery. From the high suspense scenes to the more sensual ones, Ms. Jennings delivers each with maximum effect to heightening the particular mood being created by the book.

All in all, I highly enjoyed the suspense and detailed plot of Butterfly. This story is part of a trilogy, and I can't wait to see what new adventures await in Stars (Book 2 in the Butterfly trilogy).

Source: Review copy provided in exchange for an honest review.

3 of 3 people found the following review helpful.
Dated, Tame & Probably Edgy In the 80s But Not Now
By Anissa Annalise
I should begin by saying that going into this book, I thought it was published in 2005 & was a contemporary romance. As I began reading, it became evident that this was not a story in that time period. I then found it was originally published in 1988. The many references in this book definitely made sense in that context but it became a bit of a distraction because there were so many brand names mentioned that are no longer "high end" (Lear instead of Gulf Stream, Pierre Cardin, Members Only, etc) or even recognizable. Furthermore, it didn't set the time in the way a story by Bret Easton Ellis can or more to this genre Ruth Harris, it just felt like it was pushing "wealthy L.A. in the 80s" in a heavy handed way with all the name brand dropping.

I found the first chapter intro to be very compelling because you don't know who has died or who the woman who put it all into motion happens to be. I thought the mystery/revenge set up would get going much earlier on but instead we go back & forth in time getting to know the main female characters. While that was somewhat interesting, I found that it was mostly tedious because I wanted to get to the mystery. The main women we follow have all been on the rough side of relationships with men & other life circumstances but they excel in their professional lives & so seek liberation & freedom in Butterfly. I am a fan of stories of empowered women & certainly love stories where women take charge of their own happiness but none of the characters were very compelling in the long run. There was nothing new here & nothing that will stand out as revelatory or have lasting impression.

This may well have been an edgy story when it was originally published (what with women running & patronising the brothel) but by today's standard, it is quite tame. There's nothing sexually graphic or kinky here. And there's nothing wrong with that but I wouldn't even say there was anything in this book that felt like it belonged in "romance". It is a broad chick-lit ensemble where the b-story revenge plot is the most interesting thing going on (but that takes some time to get around to). Don't go into it looking for more & it should be a satisfying telling. If you're looking for a romantic & erotic story of a woman patronising a brothel, pick up Robin Schone's "The Lover".

This is definitely a book that caught my attention because of the cover & its blurb about being sensual & romantic but in the end, that's just a great marketing strategy to reissue this book to new readers hunting for a sensual, romantic read. That is fairly brilliant to sell books but it's disappointing as a reader when that's not what you get. This is the first in the Butterfly Trilogy but I don't have any desire to read the remaining installments.

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Audio Engineering 101 is a real world guide for starting out in the recording industry. If you have the dream, the ideas, the music and the creativity but don't know where to start, then this book is for you!

Filled with practical advice on how to navigate the recording world, from an author with first-hand, real-life experience, Audio Engineering 101 will help you succeed in the exciting, but tough and confusing, music industry.

Covering all you need to know about the recording process, from the characteristics of sound to a guide to microphones to analog versus digital recording. Dittmar covers all the basics- equipment, studio acoustics, the principals of EQ/ compression, music examples to work from and when and how to use compression. FAQ's from professionals give you real insight into the reality of life on the industry.

• Sales Rank: #141313 in eBooks
• Published on: 2013-02-11
• Released on: 2013-02-11
• Format: Kindle eBook

Amazon.com Review

Amazon Exclusive: How Audio Engineering Helped Get My Band Signed By Tim Dittmar

Tim Dittmar

Working in a studio I often had access to record my own band and experiment. In the early '90s I recorded a six-song demo for a band that I was drumming with. We had only been a band for about three weeks when this demo made it into the hands of a local production company person, who at the time worked with RCA records. Although we didn’t end up with this label, the person who originally discovered us ended up managing our band and got us signed to a major label and many indie labels. It is great to have a backup plan, especially as a musician. Audio engineering is a great career option when being a musician isn't paying the bills. It allows you to still be creative and involved in the music scene. You may not get rich right away (or ever) but seeing your name on a CD you recorded is priceless.

Here are a few of the bands I currently play with:
annabella
The Hearts and The Minds

It is common for audio engineers to have their own home studio and also work out of other studios. Pictured here is a classic Trident 80B console located at Top Hat Recording studio in Austin, TX.
One of the many reasons I became an audio engineer was to record and produce my own bands and music. Here I am mixing me and my wife's band, annabella, on my studio's Toft console.
As an audio engineer you will need to find people to record. Running live sound and playing out in a band is a great way to meet potential clients every night.Here I am on tour in Athens, GA with annabella.

Review

"This beginner's guide to audio engineering presents a clear overview of the science and art of sound recording and provides readers with foundational information for getting started in audio engineering. Beginning with a discussion of sound and general recording principles, the work covers topics such as microphones, mixing consoles, signal processors, and signal flow, as well as studio session procedures and optimization. Chapters include illustrations, tips, and checklists, and the text includes an additional section with questions and answers from industry professionals."--Reference and Research Book News

About the Author
Tim Dittmar is a musician, recording and live sound engineer, producer, songwriter, and professor. Tim began his professional recording career in 1987 at Cedar Creek Recording studio in Austin, Texas. Before locating to Austin, Tim received an Associate in Arts in Radio/TV Production from Del Mar Junior College. He then spent much of the nineties touring with a punk group, recording bands, and running live sound on the infamous 6th street at various venues. He was hired in 2000 as a professor and full-time faculty member at Austin Community College where he currently teaches Audio Engineering I, Audio Engineering IV, and the Special Projects class. Tim heads up the Technical side of Commercial Music Management at the college. He has also been a returning lecturer at the University of Texas teaching Audio Production and Audio for Picture. Tim has worked in numerous studios in Austin, Los Angeles and Chicago, compiling over 300 album credits. Recording such artists as the Old 97's, Voxtrot, Dynamite Boy, King Missile and the Murdocks. In 2008 he was invited to moderate a panel at the Tape Op Conference in New Orleans where he spoke on "The State of Audio Education”. At present, he owns and operates Las Olas Recording in Georgetown, Texas. He currently tours and records with his wife in the group Annabella and can also be seen drumming with The Hearts & The Minds, Kristi Rae, and Everything's Gone Green.

Most helpful customer reviews

22 of 24 people found the following review helpful.
Great instructional guide!
By Method2Madness
DISCLAIMER: Although this was given to me through Vine to review, unlike other questionable "reviewers", I actually take the time to USE the product or READ the book. So whatever score/review the product gets, it's absolutely earned. At no time is a product given a particular review or rating simply because I fear loosing Vine status. That's not how the Vine program operates.

Anyhoo, onto the review:

Plainly put, this is a great book. Not only does the author take the time to explain, in detail, what how and why things work the way they do, he also provides illustrations for the layman. I read this cover to cover over a period of a week and honestly learned quite a bit. And I've been in audio production for years! You can definitely tell the author knows his stuff and has actually DONE what he writes about. In lieu of some authors who just compile information and later jam it all together into what barely passes as a book.

I definitely applaud the author and highly recommend this book to those wishing to learn the basics, and to a point, the higher-level operation of sound reproduction.

12 of 13 people found the following review helpful.
99 Reasons to Read Audio Engineering 101
By C. CRADDOCK
By the title, Audio Engineering 101, you know that Timothy A. Dittmar's book is going to cover that basics of Audio Engineering. Anytime you see that 101, as any community college student knows, you know it is going to be a rudimentary primer. Kind of Audio Engineering for Dummies. Some of the stuff is pretty basic, and I just kind of skimmed over it. Advice for interns, like not to tell clients how awful they sound, and don't sit around texting while rolling your eyes, etc., etc., etc..

But there is a lot of practical information and explanation of audio concepts like compression, noise gates, EQ, phlanging, and phase. I really like the microphone guide which shows various types and brands of microphones along with graphs of frequency response: Cascade Fat Head, Small-Diaphragm Condenser, Neumann U 87, or the ubiquitous Shure SM58. One chapter is a round table where questions are posed to a group of recording engineers like, what mic would you take with you on a desert island? There is a website where you can go and download audio clips that illustrate the concepts being discussed.

All in all, this is a handy book with a lot of good information that would be of interest to anyone interested in home recording or a career in audio engineering.

10 of 12 people found the following review helpful.
Interesting, somewhat useful, and pretty inconsistent
By K. Bortz
As someone who has recorded in a studio, and who has a digital recording system of his own, I gave this a try to see how it might help guide me through the recording process. First off, this book is not just about the technical end of recording - it also gives some good hints into interning, marketing, client relations, how to conduct yourself in the studio, etc. THIS portion of the book, although I will never utilize it, is pretty interesting and opened my eyes to a different side of the recording business.

The first 2/3 of the book, which actually cover recording techniques, is why I was interested in this book. Here, this book doesn't seem to know what it's target audience is. The title says "Beginner's Guide to Music Production", and some portions were actually geared to beginners - how to listen, how to place speakers, song structures, how to set up a recording room, place microphones, etc. But then some portions were exceedingly detailed - 23 pages of excruiating detail on the frequecy responses of different microphones. And the chapter on the basics of a mixing board, while covering basic information, seemed to presume an understanding of certain terminologies and processes that weren't defined (and this happened on a couple other occasions, as I remember). Maybe if the reader understood the chapter on signal flow (Chapter 8) before the chapter on mixing consoles (Chapter 6) it would help.

There are also some very basic sound clips and videos available on the internet as a companion to this book - these were referenced in the text, although the only way I knew how to access these were because the web address was on the back cover.

So, there is some good information here, but not all of it is geared toward the beginner as presumed by the title. This would be a good COMPANION reference for someone already familiar with basic recording techniques.

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